![]() It is such a pity that the documentation of these early Land Art events in the form of photographs tends to be so poor. ![]() This posting continues the theme of land/(e)scape, combining as it does performance, site, nonsite, language, film and earth. Ends of the Earth and Back catalogue essay, p. In researching this diversity, we found that the dominant art historical interpretation of Land art – as fundamentally an American sculptural phenomenon that developed out of Minimalism and Postminimalism, expanding into the “field” beyond art spaces to occupy or to become one with vast landscapes like the deserts of the Southwestern United States – accounts for only a limited number of artists’ works.” “Not taking Land art as a given the exhibition revisits various milieus and networks of heterogeneous practices around the world where the desire to engage the land or to work with the earth followed diverse artistic objectives and impulses. working with the earth, Documentation of Today's Art Tendency”, Dokumentation einer heutigen Kunstrichtung, Earth Art, Earthworks, Eliel Saarinen, Eliel Saarinen scale, Ends of the Earth, Ends of the Earth and Back, Ends of the Earth: Land Art to 1974, Gerry Schum Fernsehgalerie, Gustav Obermann, Happenings, Haus der Kunst, Heinz Mack, Heinz Mack Sahara Project, Heinz Mack Tele-Mack, Homage to Gustav Obermann, Hommage à New York, John Kaldor, Judy Chicago, Judy Chicago Atmospheres: Duration Performances, Kaldor Public Art Projects, Kees Boeke, Kees Boeke Cosmic View, Keith Arnatt, Keith Arnatt Liverpool Beach Burial, Keith Arnatt Self-Burial, Konzeption, Kristjan Gudmundsson, Kristjan Gudmundsson Painting of the specific gravity of the planet Earth, La Région Centrale, Land art, land/(e)scape, Laying Napkins, Laying Napkins Near Sudomer, Les Levine, Les Levine Systems Burnoff X Residual Software, Little Bay Sydney Australia, Liverpool Beach Burial, Michael Snow, Michael Snow La Région Centrale, Minimal Art, minimalism, Minimalism and Postminimalism, Miwon Kwon, MOCA, Munich, Museum of Contemporary Art in Los Angeles, Niki de Saint Phalle, nuclear testing Heinz Mack, Paricutin Project, Patricia Johanson, Patricia Johanson Stephen Long, performance art, Peter Hutchinson, Peter Hutchinson Paricutin Project, Philipp Kaiser, planet earth, Planetary Reliefs, Postminimalism, Powers of Ten, rail transportation, Ray Eames, Robert Kinmont, Robert Kinmont 8 Natural Handstands, Robert Smithson Spiral Jetty, sculpture, situational sculpture, Six Years: The Dematerialization of the Art Object from 1966 to 1972, Sudomer, Systems Burnoff X Residual Software, Tele-Mack, this tortured earth, Tinguely Hommage à New York, Wrapped Coast, Yves Klein Planetary Reliefs, Zorka Saglova, Zorka Saglova Homage to Gustav Obermann, Zorka Saglova Laying Napkins, Zorka Saglova Laying Napkins Near SudomerĮxhibition dates: 11th November 2012 – 20th January 2013ġ,500 pounds of clay mixed with water in wood frame Tags: 8 Natural Handstands, Alice Aycock, Alice Aycock Clay #2, American art, american artist, American Land Art, American sculptural phenomenon, Arte povera, Atmospheres: Duration Performances, Charles Eames, Charles Eames Ray Eames, Charles Eames Ray Eames Powers of Ten, Charles Simonds, Charles Simonds BodyEarth, Christo and Jeanne-Claude, Christo and Jeanne-Claude's Wrapped Coast, Clay #2, Conceptual Art, Cosmic View, desire to engage the land. ![]() Categories: American, american photographers, beauty, black and white photography, documentary photography, English artist, exhibition, film, gallery website, installation art, landscape, light, memory, photographic series, photography, photojournalism, psychological, quotation, reality, sculpture, space and time For more information about Instituto Terra, visit. In addition, in relation to these designated artworks, Sotheby’s will donate 100% of its Overhead Premium to Instituto Terra and its Buyers Premium, after deducting expenses. No portion of the purchase price is tax-deductible. The Consignor is donating 100% of the hammer price from the sale of this and other designated artworks, to be sold during Sotheby’s Contemporary Discoveries online sale held from September 23 – October 3, 2022, to Instituto Terra, a not-for-profit Brazilian organization devoted to conservation and reforestation. ![]() For its construction at the mouth of a terminal basin on the northeastern shore of Great Salt Lake, Smithson used over 6,000 tons of black basalt rocks and earth to compose a 1,500-feet-long coil that winds from the shoreline into the water. Edward Burtynsky explores our collective human impact on the environment through his sweeping photographs of the “residual landscape” created from mine tailings, railcuts, quarries, recycling yards, refineries, and freeways. In the present work, Burtynsky captures Robert Smithson’s monumental earthwork, Spiral Jetty (1970), evidence of the artist’s fascination with entropy and the transformation of our environment over time. ![]()
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